Deleted Scene - Kissing Games

Please note, as this scene was cut during revisions it has not been edited, so there will be a few typos etc.

Sloane was still annoyed about her “encounter” with Ryan Bower the next day. Against community values, indeed! He had no idea how hard she’d worked to entrench herself in this town. How much time she gave to helping others and how much passion she had for her work—both of the paid and volunteer varieties.

In an effort to combat her bad mood, Sloane rifled through her wardrobe for the brightest, most cheerful dress she could find. Her wardrobe resembled a box of crayons, with items of every color meticulously hung in a ROYGBIV gradient. Sure, she wore “normal” things like jeans and T-shirts, but even those were infused with her unique sense of style. She collected vintage items featuring anything Jurassic Park, listened to every episode of the I Know Dino podcast and made an effort to visit every museum with a dinosaur section whenever she travelled.

Obsessed? Maybe a little. One guy she’d dated for a hot second had thought it was weird, but Sloane knew a thing or two about making people remember her. You see, the dinosaur thing had started out as a strategy when she was eight years old. Her family had moved to another country for her mother’s job and Sloane found herself, yet again, having to make friends.

She was used to people forgetting her name and not recognizing her if they bumped into one another on the street. Why would they? She’d been boring back then—shy, timid, mousy hair. Forever the awkward new kid.

But one day something magical happened. Her dad had bought her this really cute sweater with a dinosaur egg and a baby dinosaur poking out the top, and when she’d gone to school the other girls had crowded around her saying how they loved dinosaurs, too. That day they had remembered her name.

Sloane realized then the power of dressing to stand out, the power of making people unable to forget your name. Did that result in some folks thinking she was a bit strange? For sure. But did people forget the woman who walked into a coffee shop wearing a dress covered in velociraptor footprints? No, they did not.

And being remembered was important to Sloane.

She plucked a plain white T-shirt and a full skirt in hot pink with a single embroidered dinosaur—of questionable anatomical accuracy—on the bottom. Then she stuffed her feet into a pair of white sneakers and drew her hair back into a ponytail.

Outside it was warm, with the only sign it was fall in the beautiful visuals. Temperature-wise, Summer must have missed today’s memo to GTFO. It was a good thing the library had air-conditioning. But Sloane wasn’t due at the library yet—she’d decided to get up early and head to her favorite cafe for a coffee and some reading time. They had these comfy, squat chairs in one corner which were perfect for curling up with a book, and she might be lucky enough to claim one.

Ten minutes later, she parked her car on Main Street and walked down the smaller tree-lined street—Harrison Beech Way, named after the college it encircled— to where Kisspresso Cafe was located. Even before she got to the door, the cafe had put a smile on her face.

The outside was painted white, but the front door was a shade of pink so bright Sloane would bet her last five dollars that it could be seen from space. A blackboard was propped against the wall, advertising their current seasonal specials—a caramel pecan latte and a spiced hot chocolate. Hmm, they both sounded good. Maybe she’d indulge today and swap her regular drink for one of the sweet, flavored varieties.

Sloane pushed open the door and glanced in the direction of the comfy chairs on the far side of the cafe. There were three in total and one was still free. Yes! Something told her that today was going to be a good day. Screw Ryan Bower and the gloomy, grumpy cloud he tried to throw over her yesterday. She was going to do what any good Swiftie did, and shake it off.

After getting her caramel pecan latte, Sloane went to claim the last remaining comfy chair before anyone else could snag it. Book Club duties called and she really needed to catch up on Silver Pleasures, otherwise she’d end up staying up late the night before the meeting to finish it. Not that she had a problem forgoing sleep for reading, mind you. Such was the life of a bookworm.

But as she walked over to the comfy chairs, a feeling of awareness prickled along her skin. Spidey senses, as her Mom once called them. That was something they had in common. Maybe the only thing they had in common.

As if sensing the same shift of energy that she had, the man already settled into one of the comfy chairs raised his head. He had a baseball cap pulled down low, but now that he was looking at her there no denying the wild, intense blue gaze of Ryan Bower.

“You,” she said, wrinkling her nose.

“You,” he replied with a similar expression of distaste.

But Sloane wasn’t about to let Mr. Grumpy Guts rain on her parade two days in a row. She’d come to Kisspresso Cafe with a plan: cushion under her butt, warm drink in her belly, book in her hand and dirty images in her head.

“You might want to vacate the premises,” she said drily as she plopped down into the last remaining comfy chair. She could easily have picked up one of the white painted chairs dotted around the small, round tables or take a seat at the communal bench in the back. But why should she give up what she wanted? “I’m about to pull some questionable materials out of my bag and it might offend your delicate sensibilities.”

“You read that stuff in public,” he said with a raise of his eyebrow. “Dressing like that, why am I not surprised?”

“What’s that supposed to mean?” Dammit, she knew she shouldn’t bite. But there was something about this man that was like a splinter under her skin. He was impossible to ignore.

“Well, nobody dresses like that if they’re not looking to make a statement.”

“Like what?” He was offended by her outfit, too? Seriously?

Ryan’s eyes swept over Sloane with the kind of lazy, thorough assessment that sent goosebumps rippling over her skin. Despite his eyes reminding her of a flash of blue lightning in the middle of a storm, they had none of the chill of rain or wind. Oh no. They were molten hot.

“It’s so…fanciful.” He said the word like it tasted dirty in his mouth.

“Fanciful?” She snorted. “Well, you’ve got a problem with my reading materials and my outfits. Want to throw anything else onto that list?”

The corner of his lip ticked up just a hint, enough to know that he was totally and utterly baiting her. And she’d walked right into it like a cocky little mouse going after a wedge of cheese, thinking there was no way the trap would catch her.

“Your name might be another one. Sloane. What kind of a name is that, anyway?” He could barely keep the laughter out of his eyes. Oh yeah, he was definitely trying to wind her up.

“Better than Ryan,” she retorted. “Hello every male born in the 80’s.”

“Are you calling me basic?” He stretched his arms along the back of the chair like a lion claiming his space. It was unabashedly and potently male.

And one hundred percent irritating.

“If the bargain basement shoe fits.” She lifted one shoulder into a shrug. “Now, if you’ll excuse me, I have some reading to do.”

She set pulled her book out of her bag with one hand and deftly flipped it open, while sipping her caramel pecan latte. But the words seemed to wriggle and jump in front of her eyes and she couldn’t get into the story. Damn him. Two days in a row he’d cast a shadow over her. Two days in a row she’d been sucked in by those mesmerizing eyes. Two days in a row she’d let him get under her skin.

This was uncharacteristic for Sloane, she never let anyone ruffle her multi-colored feathers.

But there was something about Ryan Bower that made her sit up and take notice, and she had not taken notice of a man in quite a while. Risking a glance, she peered over the edge of her book and found him staring right back at her.

“Struggling to concentrate?” he asked with an arrogant smirk. He had one of those small coffee cups, the kind made to hold a tiny, potent shot of liquid masochism.

He was probably thought milk was for cheaters. Lord, wait until she told him her coffee came with shots of caramel pecan syrup, vanilla syrup and a sprinkle of praline on top. Part of her wished she’d opted for the whipped cream as well, just to stick it to him.

“I’m not used to people staring at me while I read,” she replied.

“Do you find it rude?” He placed his coffee cup—now empty, obvs, because it only contained a fairy’s fart worth of liquid to begin with—down on the small table next to him.

“I find it curious,” she corrected. “You seem to have a great amount of disdain for me and my reading material and yet you’re watching me like I’m some tiger behind a glass wall.”

“Tiger, that’s an interesting choice,” he mused. “You see yourself as a big cat.”

“Well, I’m certainly not a mouse.” Those days were long gone.

“That’s for damn sure.”

Was it her imagination or was there a gleam of appreciation in Ryan’s eyes? More than likely it was her imagination playing tricks on her.

“You know, you might benefit from reading this book,” she said, pausing to take a sip of her of-so-sweet coffee. “I can lend you this one when I’m done. I’ll set you up with a library card and everything.”

“Hard pass,” he replied with a snort. “I don’t need any inspiration in that area.”

“That’s probably an assessment for your partners to make, not you.” Sloane tried not to giggle as Ryan’s easy, arrogant smirk slowly faded away.

He was probably used to people bowing down to him because he was a capital B big deal in the world of sports. But Sloane was immune to the hero worship practiced by most people around her—the closest she ever came to working out was lifting a heavy stack of books at work. As for spectating, she’d never understood the appeal of watching other people run around a field or a court, chasing after a ball.

“I’ve never had any complaints,” Ryan replied smoothly, though there was a slight edge to his expression. Maybe she got under his skin as much as he got under hers.

“Still, never too late to teach an old dog new tricks right?”

“That an invitation?”

Sloane pulled a face. “Sorry, you’re not my type.”

Total and utter lie. Grump personality aside, Ryan was categorically her type—she loved tall men, especially ones built like him. All lean muscle and broad shoulders and strong arms. Delicious. Plus, she had a particular weakness for blue eyes.

“Let me guess, you prefer a quiet, nerdy type. Maybe he works in a museum, bonus points if it’s the dino bone area.”

“Dino bone area.” She rolled her eyes. Way to take an entire field of scientific study and reduce it to such pedestrian terms. “You should visit the museum once in a while. I think you’d fit right in there, being a caveman and all.”

“Actually, non-avian dinosaurs died out almost 65 million years before any signs of the first modern humans appeared,” Ryan replied smugly.

Sloane blinked. She knew that, of course. The caveman comment had simply been a smartass retort, in which she’d decided to let factual accuracy fall by the wayside in order to take a verbal swing. Ryan Bower had officially impressed her.

“I’ve been to the museum a time or two,” he said. “And I may have been subscribed to Dinosaurs! Magazine when I was a kid.”

Color her impressed. Not that she would let Ryan know that, mind you. “Nice try, but you’re still not my type.”

He chuckled. “No? You’re looking for a man who can fulfill all your dirty girl dreams, huh? Or are you a little too attached to your fictional boyfriends?”

“Hardly. But at the very least I’d prefer a man who wasn’t offended by a steamy novel.” She took a long sip of her coffee, annoyed that it had started to go cold while she verbally sparred with the man who was quickly becoming a thorn in her side. “How’d you hurt your knee anyway? Vanilla sex with the lights off?”

Ryan frowned. “How did you know I hurt my knee?”

“Last time I spoke to your mom she mentioned one of her sons had a knee injury and I figured the only reason for a major league baseball player to be home in October is because of injury. Add to that the fact that you’re like a bear with a prickle in his paw, and I figured this trip home wasn’t for the best reasons.”

“Maybe my team didn’t make the post-season.” Ryan’s smile was all but gone now. Clearly she’d hit a nerve with the knee comment. Oops.

And she knew that was a lie. Last night, she’d let her curiosity get the better of her and had looked him up online. There was a lot of talk about his injury, and speculation that he might be forced into early retirement. He seemed to be a beloved member of his team, someone with a good reputation for hard work and a positive attitude.

Sloane had wanted to snort at that. Didn’t seem to fit the man she saw in front of her, though she could understand why he might be feeling grumpier than usual. His team had made the playoffs and they were tipped to go all the way.

Guilt swished in her gut. Bringing up his injured knee was a dick move.

“Maybe,” she echoed, deciding not to poke him anymore. She hadn’t meant to pour salt in the wound, but he’d been winding her up so much she’d spoken before thinking about the consequences.

Clearly it was enough for Ryan to be done with the conversation, because he pushed up from his chair and stood, his long frame casting a shadow over her as she almost drowned in this burning gaze of his wild, blue eyes.

“Enjoy your reading,” he said, his expression unreadable.

“I will.”

She couldn’t help but stare as he left Kisspresso Cafe, drawing looks from every single person as he went. Whether it was because he was startlingly good-looking or because he was sports famous, she wasn’t sure. Or maybe it was simple that the air seemed to snap and sizzle around him, like the guy had his own magnetic forcefield.

Regardless, Sloane knew one thing for certain: guys like Ryan Bower best admired from afar. And right now, with everything she had on her plate, she was better off giving her attention to fictional men, rather than real ones.

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My top tips for steamy scenes

I had so much fun chatting to Elle Greco about writing the steamy bits of my stories. Check out this interview to learn:

  • whether or not I get embarrassed writing those steamy bits

  • my trick for using weather to set the mood

  • and how I make my steamy scenes work hard (ha!) for stories

 
 

Huge thank you to Elle for hosting me! Check out the podcast here.

Writing half a million words in one year

At the beginning of 2020 I set myself some lofty goals. I know, I know…great year for it. However, as I write this blog post from the desk in my new apartment and I look over my word count spreadsheet, I have to admit that the wheels haven’t fallen off my year as much as it feels some days.

The biggest productivity goal I set this year was to see if I could write 500,000 words in a year. Yep, half a million words. It felt impossible. In fact, I had also set this goal for 2019 where I didn’t even come close.

But I wanted to try again.

I’ve come to realise that my motto is: let’s see what happens. I often go into things without expectation, only wanting to gather data to see if something is possible and (ideally) repeatable.

 
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Okay, but it’s September.

Let me start off by saying I haven’t hit the half a million point yet. YET. What I have done is crack the biggest word count goal of my previous writing years (which was 400,000) with three full months to go. I could go tools down now for the rest of the year and still have had a massive year, so I feel confident sharing this data with you.

How many words do you write a day?

The assumption seems to be that writing so many words a year means HUGE word counts on a given day. That’s not the case for me.

Here’s a secret. I have the most boring superpower: epic consistency.

Let’s break it down. To write 500,000 words in a year you need 41,667 words per month. That’s 10,417 words a week (assuming a month has four weeks) and if you write on weekdays, that’s just 2084 words a day. I’m rounding up because one extra word never hurt anyone.

What happened in September?

For reference, I don’t work on weekends. In September 2020 this is what my stats looked like:

  • Goal: 41,667 words

  • Words written: 46,298

  • Days worked: 18 with 4 days off to move house

Of those 18 days, I had a 5,000 word day only once. I had plenty of days where I only wrote about 1,500 words, because I had boxes to pack and moving stuff to coordinate.

Aside from the move, this was a very average month.

My highest month so far has produced 61,236 words and my lowest has been 5,583 (a two week break, revisions and peak pandemic malaise chewed up all of July.) Most months have hit around the 45,000 mark.

What is my approach to writing?

I put my ass in the chair every day and I write. I know, least helpful piece of advice ever. I track my words in a spreadsheet every day and have done since 2014. This data really motivates me.

I almost always juggle multiple WIPs (usually writing 2 at a time and having a further 1-2 in varying editorial stages). I prefer a morning/afternoon split, doing words in the morning and either edits or more words on a second project in the afternoon. I tend to “exhaust” on a project around 3,000 words so having a second project revives me and allows me to get more done.

Essentially my approach is to write 5 days a week, with a goal of hitting 11k a week. I don’t worry about daily goals because some days I just need to think or tinker with a scene, so the weekly goal is the one I aim for.

Will this work for everyone?

No. Sorry to be blunt, but it won’t. That’s because NO APPROACH WORKS FOR EVERYONE. Loud enough for the people in the back? Okay.

Here’s who it could work for:

  • People who thrive on consistency, routine and momentum (and have a lifestyle that supports this)

  • Highly goal-oriented and/or data-driven people

  • People who are very focused and/or people who like juggling projects

It might not work for you if you find routine and consistency stifling to your creative process, or if you don’t have a lifestyle that supports it. This amount of data can also be intimidating/boring/uninspiring to some people. That’s cool, too.

I wanted to share this for the people who do like consistency and routine, to show that it’s possible to use that very underrated skill to your benefit.

Big word counts goals are just an accumulation of many smaller word counts.

I’m confident that this year I WILL hit 500k. For me it’s important because I have SO MANY books that I want to write. So many characters to bring to life and stories to serve, and writing is what I love doing.

NB. Honestly, during this pandemic consistency and routine make me feel safe. I tend to bury myself in work when I’m stressed, because it soothes me. I know this NOT the case for a lot of people. If you’re not that kind of person, please don’t beat yourself up. We all cope differently. But please also don’t criticize those of us who do rely on work to get us through the tough times.

What's in an outfit?

I was going through line edits on a book recently and I had a really lovely comment from my editor which sparked the idea for this blog post. She said:

“I love how your heroines all have a distinct sense of style that reflects who they are.”

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It got me thinking. Style is a huge part of my character development.

Perhaps this is because style is important to me, personally. It’s always been a way that I have expressed myself.

Writing a distinct character wardrobe is a great way to enhance your character on the page. The way they dress is reflection of how they see themselves or perhaps how they want others to see them. It can represent their values, aspirations, fears, desires and more.

It can also be used to contrast characters against one another.

McKenna from Trouble Next Door is a makeup-artist and isn’t afraid to fly her glittery flag, even when others don’t appreciate it. Her makeup is described often in this book because it’s something she really cares about and is a reflection of the passion for her chosen career.

Her eye makeup had been on point—a smoky dark sapphire blue with glitter and the most kick-butt set of false lashes ever—but by the time she’d come home she looked like Britney Spears circa 2007. Total hot-mess meltdown. And to think she’d worn blue because she knew Gage loved it and then he’d gone and tossed it back in her face by saying he wanted a classy, elegant woman on his arm.

As if she was trash because she liked shiny things.

I love reflecting a diversity of style in my characters—from Drew (The Fling) who’s “goth-adjacent” and her twin sister Presley (The Rebound) who dresses almost exclusively in vintage-inspired pastels. Annie (Bad Reputation) wears very typical office-type outfits and dresses to blend into the crowd, a reflection of what’s going on in her life with the Bad Bachelor app.

 
This is totally something Presley would wear!

This is totally something Presley would wear!

 

This is an excerpt from a current work-in-progress, where wardrobe plays a huge role in us learning about what’s important to this character and what she wants out of life:

In an effort to combat her bad mood, Sloane rifled through her wardrobe for the brightest, most cheerful dress she could find. Her wardrobe resembled a box of crayons, with items of every color meticulously hung in ROYGBIV order. Sure, she wore “normal” things like jeans and T-shirts, but even those were infused with her unique sense of style. She collected vintage T-shirts featuring anything Jurassic Park, she followed the Raptors NBA team and wore their merch because they were the only team with a dinosaur as their namesake and she even had a tattoo saying “clever girl” on the top of her thigh.

Dino obsessed? Maybe a little. One guy she’d dated for a hot second had thought it was weird, but Sloane knew a thing or two about making people remember her.

And being remembered was important to Sloane.

But what about heroes?

This technique absolutely can apply to characters of any gender. The hero in Hard Deal, Caleb, has a wild collection of colourful socks which he wears to the office each day, and they suit him for more than one reason.

“I’m supposed to take language advice from a guy who wears novelty socks?” Imogen shook her head. “How am I supposed to take you seriously when you wear tacos on your feet?”

He pulled up the leg of his designer suit pants to reveal a bright red sock with a T. Rex  print. The socks were his “thing.” Plus, they had the added benefit of pissing off his father. The old man had strict requirements for his sons’ appearances. Even on “casual days,” where the whole damn company could wear denim, Caleb and Jason were supposed to suit up like penguins. So the funky socks were his way of giving the middle finger. And frankly, they were a talking point. A conversation starter. And Caleb liked talking to people.

Is every character going to have a crazy, out-there wardrobe? No. But simple things such as colour selection, the items that make them feel their best, how they view what they wear (whether it’s conscious or not) can really bring your character to life on the page and make them feel even more 3d and real to your reader.

Backstory: the seasoning on your manuscript

Backstory is something that can trip up a lot of new writers. Any advice you read on the topic will often have some incarnation of the following:

  • DO NOT INFODUMP

  • Avoid backstory in the first chapter

  • Don’t tell us the character’s life history

As a result many writers go too far in the other direction, where the reader knows nothing about the main character’s past or what led them to this point. This causes a few problems. For starters, it can make your character’s actions feel unmotivated or confusing. It can also make characters seem unsympathetic, especially if they have a big arc over the course of the story.

There’s a balance to be found. Too much backstory can bog down a story, but too little leaves the reader struggling to connect with the character. So how do you navigate the tricky water of character backstory? Let’s start at the beginning.

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What is backstory? And what’s the purpose of it in storytelling?

Backstory is information, key events and important milestones in your characters life that happen BEFORE the story starts. It helps the reader build empathy for your character, it shapes the way your characters act and forms the basis of why they behave the way they do. Without it, your characters actions and decisions may feel hollow, contrived or unmotivated.

For example: my hero in Her Aussie Holiday has been lied to about some pretty important things in his past, including his partner having an affair with her best friend who she thought of “like a brother.” As such, he never takes people at face value. This causes him to build surface-level relationships and it takes him a long time to trust others.

Without knowing about his past the reader might think he was simply a shallow person.

What’s wrong with an infodump? Doesn’t this get the reader up to speed quickly?

In a word…it’s boring. Slabs of text talking about the past doesn’t move the story forward, and your reader wants to know what’s happening NOW. Too much backstory can affect the pace of your story and cause the reader to lose interest.

How should I use backstory?

I like to think of the story as the main meal and backstory as the seasoning. The story is the most important part, it’s why your readers picked up your book. Backstory enhances your characters and makes them more complex and 3D. But it’s important to remember that too much seasoning will ruin any dish.

There are a few things to consider when writing backstory:

1.     Backstory doesn’t need to happen up front. You can sprinkle it through so the character is revealed and deepened as the story progresses. This is a great way to share the information that might have compiled your infodump in a way that doesn’t slow the pace of your book.

2.     The reader is smart, you don’t need to beat them over the head with the same piece of information over and over. If you mention that the heroine had a bad relationship with her father you don’t need to repeat the exact same piece of information two chapters later, but you can build on it by providing more detail specifically where it relates to the story or a decision your characters has to make.

3.     The reader doesn’t need to know everything. I often think a lot about my characters—what type of school did they go to? What grades did they get? How do they get along with their family? Do they have a pet? What were the important milestones in their life? How do they like to dress? What do they read? Not all of this information will make it into the story, but I like to know everything about a characters past because it helps me to write them more authentically. Sometimes backstory is something that will stay in your head or in your planning document. Only put the information into the story that needs to be there.

What about backstory and secondary characters?

It depends on the book. If you want to set up a secondary character to be the hero or heroine in a subsequent book you don’t necessary need to put their backstory into the current book – save it for their book! But you can absolute drop a little hint in about their past. Keep it mysterious so the reader will be curious about their story.

Remember, the plot and your characters are the main dish. Backstory is your salt and pepper. Everybody likes their seasoning a little different, so you may like more or less than the next writer. But don’t serve your readers a totally unseasoned dish.

How to end your chapters with a hook

Have you ever read one of those books where you felt as though you were being propelled through the story, unable to stop reading even if your eyes were drooping and the clock was telling you you’d be sorry in the morning?

There are a lot of ways that a writer can achieve this sense of urgency for the reader. Today I’m going to talk about ending your chapters with hooks. I once got a very useful piece of information from Valerie Parv (aka Australian romance royalty). She said:

If you end a chapter with a character going to sleep, chances are the reader will too.

The end of the chapter should compel the reader to keep reading. I liken it to the technique they use on shows like MasterChef. Just as they’re about to lift the lid on the Mystery Box or announce the winner of a challenge, the show cuts to an ad break. If they’d shown you what treasures were concealed inside the ad box and then cut to a break, viewers might be inclined to change the channel.

You can use this technique in your story to keep the reader engaged from one chapter to the next. Here are some do’s and don’ts for chapter endings:

Do

  • Introduce new information right before the chapter ends that will hook the reader into wanting to find out more.

  • Throw your character’s lives into chaos so your reader is left wondering what will happen to them.

  • Pose a problem that your characters need to solve in the next chapter.

  • Have your characters make a decision that they need to take action on in the next chapter.

  • End the chapter a little earlier than you think you need to – you don’t have to show the characters putting the dishes in the sink if they’ve just had dinner. Stop the chapter while the action is still fresh.

Don’t

  • Tie everything up in a neat little bow at the end of a chapter (unless, of course, it’s the last chapter of the book)

  • Send your characters off to bed…unless they don’t plan on sleeping ;)

  • Have your characters reflecting on what happened or giving the reader a play-by-play recap. Let the chapter end when the action ends.

  • Feel like you need to end every single chapter on a big hook, use this technique to vary your chapter endings and add drama – but if you do it too often the reader will catch onto your writerly tricks.

When looking at the do’s you can use one of these types of hooks or combine multiple types. How about an example? Here’s a snippet from A Merry Aussie Christmas. Evie is doing her best to act unaffected, but Jasper sees right through it.

He didn’t miss for a second the way her gaze dropped to his mouth and flicked back up again, her pupils widening ever so slightly. Details. He loved them, loved them especially when it came to her. She rubbed her lips together, the little flecks of shimmer in her gloss catching the light. Her hands clenched and unclenched against the leather couch.

“You don’t look like you want to talk,” he said, reaching out and touching the feather dangling from her ear. It was soft and feminine and brightly wild, just like Evie.

“Don’t I?” Her nostrils flared. She was trying so hard to hang onto her shield, to her wall. “What does it look like I want?”

That was a loaded question. A dangerous question.

He shouldn’t be tempting himself with what he’d never be able to have. But she was the one who’d turned up on his doorstep with those big eyes and that pouty mouth and that tough outer shell that hid all manner of treasures beneath it.

How could he not be tempted?

Screw it. For once in his damn life he deserved to go after what he wanted instead of denying himself with all the reasons it wouldn’t work. Maybe if he’d had the courage to ask Evie out all those years ago his life might have worked out very differently.

“Like you want to kiss me,” he said.

At this point the chapter stops and I’ve done a few things:

1.     Left the chapter hanging on the biggest romance question of all “will they or won’t they?” Readers will want a peek at the next chapter to see if they get a kiss or not.

2.     Show character development. “For once in his damn life he deserved to go after what he wanted instead of denying himself with all the reasons it wouldn’t work.” This sentence shows how in the past Jasper might have retreated, but now he doesn’t want to because he’s changing as a person.

3.     Put the characters in a position where they need to make a decision. This means that the next chapter will open with something active (e.g. Evie has to decide whether or not to rise to Jasper’s challenge), rather than passive. Active chapters where characters need to make a decision are more compelling than scenes where they’re passengers.

Remember, hooks can be added in later. Some may come naturally, but I often write my stories without worrying about chapter endings. If the story is flowing, I don’t like to let my internal editor have too much control at that point. You can definitely go through your manuscript during revisions and look at the end of each chapter to see how you can make it better.

Beating a reading slump as an author

Confession time: I’ve been in a reading slump for more than six months. Possibly a year. In that time, I’ve read way less than my normal amount of books. Reading has felt like…a chore. I found myself playing on my phone on the subway, instead of reading. I was letting books gather dust on my nightstand and on my shelves.

But I’ve managed to complete turn that around in the last few weeks and I thought other readers might find this interesting, so I’m sharing my tips.

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First I had to figure out WHY reading wasn’t happening the way it used to. I’ve been a reader my whole life. I was that kid who asked for more sheets for the school read-a-thon. I loved getting sent to my room, because that’s where my books were (and my dad never had the heart to take them away as a form of punishment.)

The issue came down to three key things:

  1. Reading had started to feel like work

  2. I had new hobbies that I found more relaxing (as a result of point #1)

  3. These new hobbies that take up more time

So, the solution was two fold: make time for reading and make reading fun again. This meant forming some new habits, looking at my schedule to see where I could fit reading in, and changing the way I chose what to read next.

These are the changes I made.

1. Allowing myself to read whatever I want.

I’ve done A LOT of reading for work: reading books received at publishing events, reading for blurb quotes, reading and judging competition entries, critiques, mentoring, market research, career analysis, reading challenges…you name it.

So, for the next six months I’m taking a break from most of that and just reading whatever I want. If I want reading to start feeling like relaxation again, I need to loosen the connection between it and my work. I also am the kind of person who NEEDS variety in what they read, as much of the above has meant extensive reading in one genre, which is not normally how I read.

2. Making time for reading.

Historically, I’ve always read at night. These days I enjoy staying up to watch sport (baseball and basketball primarily) and this has cut into my reading time. But I discovered that I actually love reading in the mornings…so that’s how I start my day now. I’m less distracted and I feel like it fills the well for a day of writing. Bonus!

3. Removing low-value distractions.

I travel on the subway a fair bit, since I don’t own a car and I live in a city with great transport (Torontonians might argue this point, to which I say “go live in Australia for a year and then tell me how you feel about the subway.”) And I’ve spent a lot of time on the subway screwing around on my phone. A while ago I deleted most of my game apps, after reading Digital Minimalism, but a few have since crept back. Subway time is now reading time.

4. Using a habit tracker.

I’m really enjoying the app Habit and it’s been a big helping in getting my motivation up to read. I set a goal of reading for 30 minutes a day and I’m that list-keeping Type-A person who loves checking off a goal, so this works for me. You can also use this app to send reminders.

The combination of these four activities has lead to me finishing two books in the past week and having more days with reading in the past month than in the three before it. I’m excited to reach for my book of choice, and it feels so good to love reading again!

FAQ: did you study to become a writer?

This question has pops up at regular intervals, especially when I’m talking with non-writers about what I do. The TLDR answer is: nope. I don’t have any formal qualifications in writing, literature, publishing or anything like that.

But the more accurate answer is…I’ve done a lot of things that have really prepared me for a career in writing. And, I actually did enroll in a certificate of creative writing at once point. But I dropped out after one two classes. It’s the only time I’ve ever dropped out of any educational activity in my whole life.

 
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Why did I quit my creative writing course?

It became VERY clear to me in only two classes that as a romance author I wouldn’t be welcome or encouraged. The teacher made some disparaging remarks about the genre (and an author they had in to talk about the genre in previous years) in the first class which made me really uncomfortable. At that stage I already had a request from Harlequin and when I thought about it, I wasn’t sure how a teacher with such a closed mind would help me to be more creative. So I quit.

Looking back on it all these years later, I’m glad I didn’t waste my money.

What qualifications do I have?

I have a Bachelor of Business from La Trobe University in Melbourne, with a major in Human Resources. My degree is made up of regular business subjects and a bunch of english lit electives. Do I think the English subjects helped me get published or become a better writer? No, not really. But did I enjoy taking them? Heck yeah.

What jobs helped me to become a writer?

One thing that’s great about the writing community is how different our backgrounds are. I know former teachers, lawyers, artists, police officers, medical professionals, journalists and more. Writing draws on the wealth of your experience, regardless of what it includes.

I did a lot of writing in my former careers. Company newsletters, recruitment advertising, policy, training manuals. executive communications, speeches, presentations, corporate blog posts. All of this helped me to learn how to communicate a message clearly, which is something that is required in both nonfiction and fiction.

Working in a high-performing team in one of Australia’s biggest banks also taught me some other important skills: how to manage my time for high output, how to manage stress and deadlines, how to work with lots of different personality types, how to communicate to a wide array of people.

None of these skills are necessarily things you would be taught in a creative writing class, but they’ve helped me immensely.

Do I think there are any requirements to becoming an author?

Other than a love for story…no, I really don’t.

There are certainly things that will help, such as:

  • A strong grasp of grammar, punctuation and the language you want to write in. If you don’t have this already, then have a willingness to learn and improve.

  • A thick skin (aka my eternal work in progress).

  • A willingness to be critical and complimentary of your own work. You need to see the flaws, but if that’s all you see you’ll never put anything out.

  • Determination.

Again, these aren’t things you’re going to learn in a general creative writing course. That’s not to say that a course won’t help, because for some people they might be immensely inspiring. If that’s you, then go for it! For romance writers, I often recommend starting with a course that’s specific to the genre, because then you know it will be a welcoming environment.

But you don’t need a piece of paper that “qualifies” you to write stories. Put words on the page, be committed to improving your craft through whatever means you have available to you and dust yourself off when you get knocked down. That’s it.

Now go write.

A Tale of Two Covers

Everybody loves a little refresh in the new year, right? Well, Bad Bachelor is getting a brand new look! It’s hard to believe this book came out two years ago. In that time cover trends have changed a bit.

 
The original Bad Bachelor cover with the very sexy Reed in his signature suit.

The original Bad Bachelor cover with the very sexy Reed in his signature suit.

 

Bad Bachelor came out right on the cusp of this latest resurgence of romantic comedy. Did I plan to write romantic comedy? Not specifically, no. But my books have always included humour because that’s the kind of person I am (if you spent five minutes around my husband I, you’d see we don’t take anything too seriously.)

Some people don’t consider my books romantic comedies because they’re not funny all the way through. I tackle serious issues and deep emotions, the Bad Bachelor series included. But to me, the best comedies have shade and light. Humour is an incredible contrast to pain, which all characters have to experience if they’re to grow. Which means that how a person (whether inside the publisher or a reviewer or reader) wants to categorize my book isn’t really something that concerns me.

But the categorization of a book is important when it comes to finding readers. A cover is critical to conveying genre, tone, themes and setting. The original Bad Bachelor cover did this really well. It shows a broody hero (tick) against a city backdrop (tick) and the shades of light and dark reflect the highs and lows in the story (tick.)

So how can a brand new cover also perfectly represent the story? Well, it focuses on different things. For lack of a more pleasant expression, there’s more than one way to skin a cat.

 
 

This version of Bad Bachelor represents some different aspects of the story. The city backdrop is still there, but the yellow cabs scream New York City (tick). The adorable cartoon characters are also holding phones which speak to the core concept of the series (tick.) The cartoon elements hints at the humorous elements of the story (tick.)

So, both covers really suit the story but for different reasons.

Why do books get new covers?

Often, it’s because something has shifted in the market and the publisher believes they can capture a new segment of readership with a different look. As much as I love a sexy dude on the cover of a book, there are some people who don’t like that style of cover.

This new version is also being released in Trade format (taller, slightly bigger book) which some people prefer the feel of to a more compact mass market paperback. In complete honesty, I actually prefer the experience of reading a larger-format book from a tactile perspective. But people who like to carry books around might prefer the compact format of the mass market paperback.

Essentially, a redesign is about finding more readers.

What about Bad Reputation and Bad Influence?

I hope they’ll get a makeover too! So, if you like the new look be sure to pick up a copy and let the publisher know you want to see the rest of the series get the cartoon treatment.

When will this beauty be available?

The Bad Bachelor redesign will hit shelves in March 2020. To my knowledge the original version will also still be available, so if you’re new to the series you can take your pick and get whichever cover you love most.